A thammettama drummer plays during a musical ceremony on the lower floor of the temple’s main shrine. The twin thammettama are traditional Sri Lankan drums, played with curved sticks called kadippuwa, in Sinhalese. Hewisi is a form of religious music once reserved for use by Kandyan royal decree. Today, hewisi is still used almost exclusively in Buddhist ceremonies, and is seen as an offering in itself.Shot on assignment for The New York Times in December 2018.
Colourful patterns of a traditional Tamil ‘kolam’ celebrates the Hindu harvest festival of Thai Pongal. Common throughout South India and Sri Lanka, these designs are usually formed from coloured rice flour, chalk and, sometimes, powdered spices, amongst other things. This one, on the concrete floor at the entrance to a suburban supermarket, has been created out of coloured rice. Colombo, Sri Lanka. January 2021.
A dancer wears a ‘Naga Raksha’ or Cobra Demon mask used in traditional Sri Lankan ‘Raksha Kolam’ (a sort of demonic satire set to dance). Shot in August 2020, for Canon Sri Lanka.
A traditional Sri Lankan mask used in plays and rituals, hangs in the Colombo National Museum. Shot on assignment for Serendib, the online magazine of Sri Lankan Airlines. My photo story on this historic building and its exhibits, “Katu Ge“, ran in the October 2017 issue.Continue reading “Green Face”→
In his workshop in Battaramulla, close to Colombo, Nimal Wickramasiri, a master drum maker, works on a traditional Sri Lankan Yak bera, its body a section of hollowed out coconut tree. Shot on assignment for Serendib, the inflight magazine of Sri Lankan Airlines. My photo story, “A Beat of the Ages“, ran in the December 2016 issue.Continue reading “Rhythmic Work #2”→
A thammettama drummer plays during a musical ceremony on the lower floor of the temple’s main shrine. The twin thammettama are traditional Sri Lankan drums, played with curved sticks called kadippuwa in Sinhalese. Hewisi is a form of religious music once reserved for use by Kandyan royal decree. Today, hewisi is still used almost exclusively in Buddhist ceremonies, and is seen as an offering in itself. Shot on assignment for The New York Times; specifically for Lucas Peterson’s travel piece, “An Island Nation that is Best Savored Slowly“, which ran in the Frugal Traveler column on 30th January 2019.
A drummer — and drum-maker — tests a freshly made geta bera, a traditional Sri Lankan drum made of wood and animal hide. Next to him stands his own, well-used geta bera, a dawula, and the unfinished bodies of several tablas. Shot for my photostory, “A Beat of the Ages”, which appeared in the December 2016 issue of Serendib magazine.