Whisky Point

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Pottuvil, Sri Lanka. May 2022.

• 18mm • f/3.5 • 1/1000 • ISO100 • 600D & EF-S18-200/3.5-5.6 • polariser •

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Temple of the Water God

I believe that water is the closest thing to a god we have here on Earth.”

— Alex Z Moores Living in Water

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The Randenigala Reservoir, surrounded by the jungles of the Rantembe Reserve. December 2018. If water is the one true god of our planet, then the reservoirs we’ve built over millennia must be its greatest temples.

• 24mm • f/8 • 1/1600 • ISO800 • 5DMkIII & EF24-105/4L •

The Doomed Giants of Anuradhapura

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Sunrise over the Basawakkulama Tank, believed to be Sri Lanka’s oldest reservoir, built in 400BC, against the backdrop of the Ruwanwelisaya and, faintly in the distance, the massive broken Jetawanaramaya, both over 2,000 years old. The tree silhouetted against the morning is one of many that line the tank’s retaining bund. For perhaps a century or more, these broadly spread giants have sheltered farmers, workers, schoolchildren, and the occasional photographer, using the bund as a footpath into Anuradhapura. When I took this picture in January 2017, while on assignment for Serendib magazine, the trees were also home to rock squirrels, numerous nesting birds, and families of grey langurs. But sadly, it has now been reported that the government has begun felling these ancient trees because they are believed to be damaging the bund with their great roots. The perspective they have given to one of the most iconic views of Anuradhapura will be the least of the losses their deaths will bring.

• 18mm • f/3.5 • 1/250 • ISO100 • 600D & EF-S18-200/3.5-5.6 •

The Horizon of Our Hope*

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Dawn at Arugam Bay, Sri Lanka.

• 50mm • f/1.4 • 1/160 • ISO100 • Canon 5DMkIII & EF 50/1.4 courtesy Canon/Metropolitan.

*“Time is no longer endless or the horizon destitute of hope.”

— Charles Lindbergh

The Waiting Sea

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Talalla Bay, Sri Lanka.

• 24mm • f/2.8 • 1/640 • ISO100 • 600D & EF-S24/2.8• circular polariser •

December 26th 2022 marks eighteen years since the devastating Boxing Day Tsunami of 2004, when the Indian Ocean rose up and killed over 35,000 Sri Lankans in two massive waves (the second measured as high as 11m, in places). The country suffered the second highest number of deaths in the Indian Ocean (after Indonesia which, being proximate to the epicentre of the underwater quake that caused the tsunami, lost almost 200,000 dead and missing). Over half a million people were displaced in Sri Lanka, as almost 90,000 coastal homes and buildings were destroyed by the waves. Over 250,000 people are estimated to have died in minutes, in fifteen countries, from Southeast Asia to East Africa. In island nations like Sri Lanka, the sea would never be looked at quite the same again.

I Had Red

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“If I don’t have red,” Picasso said, “I use blue.” Dawn at Ocean Cottage, Kalametiya. September 2022.

• 24mm • f/13 • 0.80 • ISO100 • tripod • Canon R6 & RF 24-105/4-7.1 courtesy Canon/Metropolitan.

Twilight of the Kings

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Last light over the almost completely dry bed of the Habarana Lake, in northern Sri Lanka. One of the country’s oldest historical reservoirs, the lake is believed to be the ancient Aggivaddhamanaka Tank, built by King Vasabha of Anuradhapura at the end of the 1st century AD. Shot on assignment in January 2016, for Explore Sri Lanka magazine.

• 18mm • f/3.5 • 1/40 • ISO400 • 600D & EF-S18-200/3.5-5.6 •

The Sun Fallen Beneath Trees of Stone

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Downtown Colombo, from the rooftop of Cinnamon Red. September 2022.

The sun is fast fallin’ beneath trees of stone
The light in the tower, no longer my home
Past eyes of pale fire, black sand for my bed
I trade all I’ve known for the unknown ahead
.”

— Bear McCreary This Wandering Day

• 24mm • f/4 • 1/125 • ISO5000 • Canon R6 & RF 24-105/4L courtesy Canon/Metropolitan.

Day Breaks, the City

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The Beira Lake, Colombo, Sri Lanka. September 2022.

• 24mm • f/10 • 10s • ISO100 • tripod • Canon R6 & RF 24-105/4L courtesy Canon/Metropolitan.

Sunriser

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Ocean Cottage, Kalametiya. September 2022.

• 24mm • f/13 • 1/60 • ISO100 • tripod • Canon R6 & RF 24-105/4-7.1 courtesy Canon/Metropolitan.